the difference between the 2 days could not have been huger. whereas friday had been full of anxiousness and just worry. the result of having that gig stamped 'Perfect and now an untouchable memory in my mind (how I like my gigs to be!) meant that saturday was a very different day.
my mindset was basically it didn't matter how saturdays gig was, friday had been perfect, and there was no way saturday could top it, so there was no pressure, I could just relax and enjoy the gig with no pressure (so like a regular person then!)
I swear the temperature had dropped about 10 degrees from the night before (people arrived at the gig all wrapped up) but there was no way I was wearing jeans. so I still wore my shorts, but had loads of layers on the top. Kill uncle shirt, 2 long sleeved shirts (and the t shirt I bought at the gig on the way back) the weather was crazy, the next night going to YOUTH OF TODAY I only had to wear a t shirt. I really liked the familiarity of going back to the same venue for a 2nd night. I had walked to the venue so many times now, that it was like second nature. even though it's 16 blocks away, I am still walking there. there's no way I was going to attempt to catch the subway at 7pm at night. and anyway I liked walking there. once you got past around 42nd street and times square and there was room on the pavements it was actually really nice. just walking and looking. I go by a vegan restaurant and see a group of people in there, one guy has a real cool denim jacket on with a backpatch, if I'd have seen him in the day I would have been stopping him for sure to take his picture.
I get to the gig and a bit later who do I see inside ... yep him! here he is.
2nd date ... 2nd base!!! - this is how Kristeen started her set!
what I noticed when I went inside was that the crowd was filling up near the stage a lot earlier than the night before. my position was not as good as the night before, more to the right. well that's it then, there's no way it will be topping the night before I thought to myself. little did I know then it would end up being even better.
I had thought the gig might be more reserved than the night before (because more often than not it's always more casual fans that get tickets to the 2nd night) but just from the reaction to Kristeen (lots of nodding heads: people were really into it) I knew this wasn't going to be the case and the huge deafening roar as the curtain dropped proved it.
'I believe it was Franklin Roosevelt who said...'
Oh Morrissey. your start of this song is even better than the night before ... tell me this didn't floor you. go on tell me. the above video EXPLAINS IT ALL ... the mood ... the atmosphere. just being there IN THAT MOMENT ... the arm in the air at .29 is me!! (on the right hand side: at .29-.32 I am the only one punching the air)
(look how other arms join in at .44 onwards!) I know, how perfect is it. I love how this reaction from the crowd instantly set a precident for the mood for the rest of the gig. I mean it was even more intense than the night before. once again I'm just marvelling that I'm in New York watching Morrissey - and getting this feeling in the first song. I think I'm even happier than the night before.
there is a really cool girl next to me who is really into it. I like it when people next to me ARE INTO IT and punch the air. I tell her that she is the perfect person to be next to at a gig. I have to shout because you know Morrissey is on. I tell her that I came from the UK to see these gigs, she says THAT'S AWESOME - I tell her 'you're awesome' - that's the kind of things I say to people.
what I liked during THE YOUNGEST WAS THE MOST LOVED was just suddenly hearing my own voice singing along over the top. it just struck me in that moment of the importance of this song, of music (to me)
my favourite lyrics from it (this song is on on RINGLEADER OF THE TORMENTORS album)
a blush it rose if he had to say ‘hello’ a lopsided grin strained to keep the shyness in
there is no such thing in life as normal
there is a huge surge forward for EVERYDAY IS LIKE SUNDAY. I was quite taken aback by it ... everything became even more intense after that. the crowds reaction on the above says it all. the night before did not surge forward or react in any way as strongly as this.
it did make the song very special. it was nice to get this glimpse of how loved this song was here (which I already knew about, not least from the Dallas 1991 video) and to get caught up in it all.
best I KNOW IT'S OVER that I have *ever* seen ... the end was sublime and seemed even longer than usual and it just seemed to get more epic and surreal as the song progressed ... especially when you realised that just as you thought it was going to end ... it actually just built on that previous moment. definitely the fans favourite along with 'Everyday is like Sunday.
obviously footage of LET ME KISS YOU. without a doubt song of all the New York gigs. which is quite something when you consider all the other songs, but then not really when you consider THIS song. getting caught up in this song. that person clapping at 1.06 ... GETS IT TOO (whoever they are) that's why it's about this song. making you feel this way ... that's why it will always be about this song.
too much dude. too much ... doesn't it get you right there.
Morrissey says something during the break in SPEEDWAY and it makes it just perfect. coming out of nowhere, catching you off-guard, filling you with that feeling, made the song even more intense and powerful when it came roaring back.
to see it in context of the whole song, watch the below. you must watch it to get the FULL IMPACT. you'll thank me.
like I said too much dude.
'people think they can buy me with gifts, of rare Lp's and books ... and they can!!' (somebody was holding out a record for him)
the MEAT IS MURDER footage. apparently some people walked out of the manchester gig due to it. have they never listened to the lyrics. I mean it's not like if Justin Bieber just sprang it on his fans one night out of the blue/out of character. surely they must have had some inkling what Morrissey's beliefs were. after this song ended Morrissey said 'and you thought you had tickets for Mama Mia' (!!!)
still no ART HOUNDS/THE KIDS A LOOKER (though 'other newie SCANDINAVIA is played) not sure what to think about this. just hoping they'll be back in the set list soon.
listen out for the repeated I LOVE YOU at the start from Morrissey!! STILL ILL sends the place wild. even more wild than the night before. people were dancing, punching the air. the song has a real rockabilly feel to it, so it was kinda fitting that it was like a 50s dance in a mosh pit!! jiving, punching the air - yep doing it all!! ... and lil Moz fan KYLE got up onstage and danced with Morrissey!!! and Morrissey held him!! security definitely allowed him more time on the stage than any of the adults!! was real cute to see. you go Kyle. it took the intensity in the crowd to a whole other level. euphoria, unity, mayhem - and then the song ended. even more than the night before, to feel all this and then have nothing follow it was pretty hard. but I was only sad for about a minute.
I mean how can I be sad for long when I think about everything that had happened during this gig.
Gutted. a video on youtube shot RIGHT BEHIND ME(!!!) of this song, where you could clearly see me (amidst the chaos) getting into it(!!!) HAS DISAPPEARED. I can't find it anymore.how gutted. so mad because I downloaded the 'Shoplifters video so I'd have it just in case - but I never got around to doing the STILL ILL one ... if it ever goes back up, I'll do a whole post on it!
Kyle in the audience with his dad. does anyone know what film this is? I'm thinking she's Gina lollobrigida what did you do last night? oh just danced with the moz. though sounding very similiar the moz is not the same as the miz ... just so you know, for the future, to avoid any confusion.
Shoplifters Of The World Unite You're The One For Me, Fatty The Youngest Was The Most Loved I'm Throwing My Arms Around Paris One Day Goodbye Will Be Farewell Scandinavia Ouija Board, Ouija Board Black Cloud Everyday Is Like Sunday To Give (The Reason I Live) You Have Killed Me Spring-Heeled Jim I Know It's Over Let Me Kiss You Maladjusted Speedway Meat Is Murder I Will See You In Far Off Places - - - - Still Ill
and that was it, all over. walking the last time up west 56th street. past the fortune tellers window (basically like the front room of someones house that everyone could see walking by - I had seen a leftover plate from some food on the way to the gig) a woman with her husband was looking and the fortune teller asked if she wanted to have her fortune read? she said no, she was just looking at the window (the crystal ball was on display on a little table and everything!) ... I'll miss things like that ... things like that don't happen in London.
now when I look at Brooklynvegan and see bands are playing Terminal 5 I do a silly little half-smile. it's like I can picture myself going along to the gig ... I may be in the uk but in many ways my heart will always be there. I'll always be there going to see some gig. having some adventure in New York.
why? my first morning in new york, a horrid grey day in drizzly rain was spent trying to find this venue (basically a black building with no name) hence walking by it countless times. a policeman sending me in the wrong direction (*wrongly* telling me the street numbers went higher the more you went up - geez) phone calls to my sister in the uk to try and help me out. basically going round in circles. hours later I found it - and was told you couldn't collect the ticket from there. but I could from the 'Mercury lounge (in the lower east side) because they are the same company (or something) so I went there the next day, and was told you can't collect it from there. I was told I could collect it the day before from the venue, so I walked the 16 blocks to terminal 5 again on thursday - and was told by a horribly rude girl (why do people working the doors always have to be so rude) that you had to get it in on the night. of course I envisioned it wouldn't be there. so I wasn't happy. I just wanted to have the ticket in advance before the gig (no problem collecting the Radio city music hall ticket in advance) so like I said, boy was I set to hate terminal 5.
that was until I went inside.
as you can see awkward as ever + who the hell I am looking at? dunno. forget about my awkwardness tho - just look at the KILL UNCLE SHIRT yes a K.I.L.L. U.N.C.L.E shirt (I snagged 2 - original 1991 - unworn, yes *UNWORN*ones on ebay last year) ... yup it's the best. my fave t shirt.
cool Peta people inside the venue. they were very friendly. I wish I'd have spoken to them longer. how impressive is his chest??!! - veg power!!!
the merch. some new t's since Manchester - I bought the black one top right 2nd in. yes that's a cat on morrissey's head. why? ... why not. I very nearly bought it, but then didn't. the writing at the bottom says MY LIFE WITH FANNY THE WONDERCAT ... I know - why the hell didn't I buy it ... and it says USA FALL TOUR on the back ... damn - also deepely regretting not buying the green ENGLAND IS MINE (Still Ill lyric) one.
so finally I am seeing a full Kristeen set. I only caught the last few songs in Manchester and saw nothing at 'Radio city music hall as I was taking photos of fans up until the last minute. I liked her as soon as the first song got underway. so much so that I got my phone out and filmed it (and I never ever film anything at gigs ... I only *ever* take photos) but I had to capture WHAT was impressing me so much.
the quality isn't too great. but when I watch them I'm right back there at the gig, so they're pretty valuable to me. how epic is the second song (fantastic failure) I swear I became a full-blown fan of Kristeen in the midst of this song. I really liked the 3rd song but then nothing after that impacted me as much. but I didn't mind that, I love it when something impacts you strongly instantly ... it doesn't matter what happens after that, you already know everything you need to know.
again I say *how amazing* is the below ....
what I notice is that unlike the uk, no-one moves when the support act finishes, so neither do I. there's no way I am going to lose my position. so I stay right. there.
again I'm thanking Moz for the film that plays before he comes on ... it's nice to have something to occupy your mind, and not just stand there becoming an ever-increasing bundle of nerves at the prospect of what is to come. and there is something reassuring about watching something that you have been watching for a year, recognising all the clips as they begin. below: this woman from one of the clips is so cool.
in the crowd I see the australian woman I had spoken to on my way down the street to the venue (asking if she was going to the gig and telling her my fear of the ticket not being there) she reasurred me that it'd be there. I asked if she had came from Australia for the gig, but she said she was living in new york ... it was nice speaking to her because it passed a bit of time and meant I arrived at the venue in a more positive frame of mind and not had my thoughts of ticket-doom spiralling out of control.
she was like 'you got in!!' ... yeah I said! it was a nice moment seeing her in there ... in the pre-gig atmosphere and my jubilant frame of mind ... realising all my worry had amounted to nothing. I was in there and the gig was about to start.
I love the venue. the shape of it (basically an oblong shape) just the whole metal cage-like construction of it. the width of the stage looks so small (like half the size of Brixton academy) and the whole place does not look very old at all. (update: it opened as Terminal 5 in 2003 and was renovated in 2007) ... and as I soon found out it had really great sound, so clear and defined ... the venue I was all set to hate couldn't have been more perfect. cool hardcore dudes.
if there was one thing I was hoping to see at the gigs, it was some hardcore guys. I already knew of the love that hardcore groups have for Morrissey so I really hoped to see some people there at the gigs. then I saw the above guys on my way in when I was taking photos of fans. I knew they were into hardcore before I even saw the X on the hand on the guy on the left ... I just knew (I've been to a lot of hardcore gigs) and get this, they ended up standing right near to me, along with 2 other guys (one of whom I saw in the crowd 2 days later at the YOUTH OF TODAY gig at Irving Plaza) I wore a Moz shirt. no-one spoke to me.
when the curtain dropped and Morrissey and the band stood before me I was just smiling. I know that 'Radio city had been my first Moz gig in new york. but I was in a seat half-way back. this was the one ... the one I had been looking forward to ... I just wanted it to happen ... be perfect ... yep the old usual routine I go through. and here it was starting in front of me. great position, great people around me ... I was in NEW YORK watching Morrissey. what I had always wanted. in that precise moment my smile couldn't have been any broader. if it was a movie it would be at the very end, a heart-swelling climax with uplifting music, a jubilant hit of 'Rocky type euphoria. in that moment I couldn't have been any happier. the first song started. it's not 'Last night I dreamt that somebody loved me' like at 'Radio city ... it's only bleedin' SHOPLIFTERS OF THE WORLD UNITE.
floored.
what I really liked is that (with those shuddering beats) it INSTANTLY established this feeling amongst the crowd, almost of swagger and attitude. ... but not in any egotistical way, I just loved how it set a real defiant tone to the start of the gig ... the opening song of a gig almost dictates what is going to happen within the mindsets of everyone. like if you were writing the script for a movie and establishing a mood - and this choice was just perfect. hats off to the Moz - like I said it floored me. seriously you could have knocked me down.
what I realised instantly. this is not like at Brixton academy when as soon as the first song starts the whole crowd just surges forward. sure people react (arms are up and everything down the front) but overall it's a very different atmosphere and feeling. it's like they are happy doing their own thing, not having to over-exaggerate (or prove) anything. an example of the much cited new york cool? I don't know, but I really like it.
just like when I was at CBGB's the last time I was in new york. I spent a lot time thinking 'I'm in new york watching Morrissey' just marvelling at that fact. I had a great view, the people around me were cool, couldn't have asked for anything more. the set list is very similiar to Radio City. 'I know it's over' is out but MALADJUSTED is in ... so is FANTASTIC BIRD (a previously unreleased track) ... not gonna lie. every time a song started up I hoped for ART HOUNDS. that was the one I really wanted to hear. then THE KIDS A LOOKER. it's like when you are at a gig and everything is just so right and you know a certain song would just fit the mood perfectly. but they wern't played. I just know if ART HOUNDS had been played it woud have been something stupendous. I was already in a good frame of mind. that woud have pushed me just that bit further. english reserve would have been long gone for sure:) sure I was a bit sad they wern't played, but I still couldn't have been happier at the gig. what I really liked is that it wasn't about 1 song at this gig. it was about the whole gig and the whole feeling throughout the gig. quite often you only get a few songs at a gig where you feel a certain way. I had it for the whole gig. feeling that way and being around people all reacting to the songs in their own little ways, without invading the space of people around them was a very special thing. I had always wondered what it would be like to see a New York Morrisey gig. that's why I spent a lot of the gig, just looking around, looking at everything, taking it and that feeling in.
will I ever stop posting footage of LET ME KISS YOU from gigs I was at? highly doubtful. honestly, without going all wussy, even watching a few seconds makes me go a bit misty eyed. because I remember being there, just getting more and more into the song and reacting to it ... and all whilst having such great people near me throughout it. it was very veryspecial. and it's almost too much watching it back now.
the place goes crazy for STILL ILL. people surge forward ... there is movement everywhere. it was such a release, coming from nowhere and after how it had been up until then. and then it ended and the gig was over. it was strange, having this high of jubilation and then it all being over.
a sign to the morrisseyworlders. obviously no-one else noticed it/paid any attention. and of course no-one caught it on film ... but I did. once again it's MORE COLD-HARD proof ... yet it will still make *no difference* people still won't believe. so.very.morrissey.
again thanks to all the moz fans that spoke to me and let me take their photo. once again, you made an english fan very happy. talking of the NY fans, hardcore guy on the left from the above pic, was singing along to *all* the words throughout the gig. it was a real nice thing everytime I looked and saw it!
Shoplifters Of The World Unite Maladjusted You're The One For Me, Fatty The Youngest Was The Most Loved One Day Goodbye Will Be Farewell Black Cloud Ouija Board, Ouija Board Speedway Spring-Heeled Jim You Have Killed Me Fantastic Bird People Are The Same Everywhere I'm Throwing My Arms Around Paris Everyday Is Like Sunday To Give (The Reason I Live) Let Me Kiss You Meat Is Murder I Will See You In Far Off Places
- - - - Still Ill
well winter is here. so it's goodbye red and black buffalo plaid as outerwear. and welcome back (fake) leather jacket. if there's one thing I like (apart from t shirts) it's badges. I've always loved how a badge pledges your allegiance to a band ... something ... in a oh so subtle way. so to mark the change of season and change of outerwear I'm going to document the badges pinned to my jacket. I know it's not the most exciting thing haha but I'm a bit of a geek like that!