Sunday, 30 December 2012
Thursday, 13 December 2012
Morrissey - Terminal 5, New York - 13/10/12
the difference between the 2 days could not have been huger. whereas
friday had been full of anxiousness and just worry. the result of having
that gig stamped 'Perfect and now an untouchable memory in my mind
(how I like my gigs to be!) meant that saturday was a very different day.
my mindset was basically it didn't matter how saturdays gig was, friday
had been perfect, and there was no way saturday could top it, so there
was no pressure, I could just relax and enjoy the gig with no pressure
(so like a regular person then!)
I swear the temperature had dropped about 10 degrees from the night
before (people arrived at the gig all wrapped up) but there was no way
I was wearing jeans. so I still wore my shorts, but had loads of layers on
the top. Kill uncle shirt, 2 long sleeved shirts (and the t shirt I bought at
the gig on the way back) the weather was crazy, the next night going to
YOUTH OF TODAY I only had to wear a t shirt.
I really liked the familiarity of going back to the same venue for a 2nd
night. I had walked to the venue so many times now, that it was like
second nature. even though it's 16 blocks away, I am still walking there.
there's no way I was going to attempt to catch the subway at 7pm at night.
and anyway I liked walking there. once you got past around 42nd street
and times square and there was room on the pavements it was actually
really nice. just walking and looking. I go by a vegan restaurant and see
a group of people in there, one guy has a real cool denim jacket on with
a backpatch, if I'd have seen him in the day I would have been stopping
him for sure to take his picture.
I get to the gig and a bit later who do I see inside ... yep him!
here he is.
2nd date ... 2nd base!!! - this is how Kristeen started her set!
what I noticed when I went inside was that the crowd was filling up
near the stage a lot earlier than the night before. my position was not
as good as the night before, more to the right. well that's it then, there's
no way it will be topping the night before I thought to myself. little
did I know then it would end up being even better.
I had thought the gig might be more reserved than the night before
(because more often than not it's always more casual fans that get tickets
to the 2nd night) but just from the reaction to Kristeen (lots of nodding
heads: people were really into it) I knew this wasn't going to be the case
and the huge deafening roar as the curtain dropped proved it.
'I believe it was Franklin Roosevelt who said...'
Oh Morrissey. your start of this song is even better than the night
before ... tell me this didn't floor you. go on tell me.
the above video EXPLAINS IT ALL ... the mood ... the atmosphere.
just being there IN THAT MOMENT ... the arm in the air at .29 is me!!
(on the right hand side: at .29-.32 I am the only one punching the air)
(look how other arms join in at .44 onwards!) I know, how perfect is
it. I love how this reaction from the crowd instantly set a precident
for the mood for the rest of the gig. I mean it was even more intense
than the night before. once again I'm just marvelling that I'm in New
York watching Morrissey - and getting this feeling in the first song.
I think I'm even happier than the night before.
there is a really cool girl next to me who is really into it. I like it when
people next to me ARE INTO IT and punch the air. I tell her that she
is the perfect person to be next to at a gig. I have to shout because you
know Morrissey is on. I tell her that I came from the UK to see these
gigs, she says THAT'S AWESOME - I tell her 'you're awesome' - that's
the kind of things I say to people.
what I liked during THE YOUNGEST WAS THE MOST LOVED was just
suddenly hearing my own voice singing along over the top. it just struck
me in that moment of the importance of this song, of music (to me)
my favourite lyrics from it (this song is on on RINGLEADER OF THE
TORMENTORS album)
a blush it rose if he had to say ‘hello’
a lopsided grin strained to keep the shyness in
there is no such thing in life as normal
there is a huge surge forward for EVERYDAY IS LIKE SUNDAY. I was
quite taken aback by it ... everything became even more intense after
that. the crowds reaction on the above says it all. the night before did
not surge forward or react in any way as strongly as this.
it did make the song very special. it was nice to get this glimpse of how
loved this song was here (which I already knew about, not least from the
Dallas 1991 video) and to get caught up in it all.
best I KNOW IT'S OVER that I have *ever* seen ... the end was sublime
and seemed even longer than usual and it just seemed to get more epic
and surreal as the song progressed ... especially when you realised that
just as you thought it was going to end ... it actually just built on that
previous moment. definitely the fans favourite along with 'Everyday is
like Sunday.
obviously footage of LET ME KISS YOU. without a doubt song of all
the New York gigs. which is quite something when you consider all the
other songs, but then not really when you consider THIS song. getting
caught up in this song. that person clapping at 1.06 ... GETS IT TOO
(whoever they are) that's why it's about this song. making you feel this
way ... that's why it will always be about this song.
too much dude. too much ... doesn't it get you right there.
Morrissey says something during the break in SPEEDWAY and it makes
it just perfect. coming out of nowhere, catching you off-guard, filling you
with that feeling, made the song even more intense and powerful when
it came roaring back.
to see it in context of the whole song, watch the below. you must watch
it to get the FULL IMPACT. you'll thank me.
like I said too much dude.
'people think they can buy me with gifts, of rare Lp's and books ... and
they can!!' (somebody was holding out a record for him)
the MEAT IS MURDER footage. apparently some people walked out
of the manchester gig due to it. have they never listened to the lyrics.
I mean it's not like if Justin Bieber just sprang it on his fans one night
out of the blue/out of character. surely they must have had some inkling
what Morrissey's beliefs were.
after this song ended Morrissey said 'and you thought you had tickets
for Mama Mia' (!!!)
still no ART HOUNDS/THE KIDS A LOOKER (though 'other newie
SCANDINAVIA is played) not sure what to think about this. just
hoping they'll be back in the set list soon.
listen out for the repeated I LOVE YOU at the start from Morrissey!!
STILL ILL sends the place wild. even more wild than the night before.
people were dancing, punching the air. the song has a real rockabilly
feel to it, so it was kinda fitting that it was like a 50s dance in a mosh
pit!! jiving, punching the air - yep doing it all!! ... and lil Moz fan KYLE
got up onstage and danced with Morrissey!!! and Morrissey held him!!
security definitely allowed him more time on the stage than any of the
adults!! was real cute to see. you go Kyle. it took the intensity in the
crowd to a whole other level. euphoria, unity, mayhem - and then the
song ended. even more than the night before, to feel all this and then
have nothing follow it was pretty hard. but I was only sad for about
a minute.
I mean how can I be sad for long when I think about everything that
had happened during this gig.
Gutted.
a video on youtube shot RIGHT BEHIND ME(!!!) of this song, where
you could clearly see me (amidst the chaos) getting into it(!!!) HAS
DISAPPEARED. I can't find it anymore.how gutted. so mad because
I downloaded the 'Shoplifters video so I'd have it just in case - but I
never got around to doing the STILL ILL one ... if it ever goes back
up, I'll do a whole post on it!
Kyle in the audience with his dad.
does anyone know what film this is? I'm thinking she's Gina lollobrigida
what did you do last night? oh just danced with the moz.
though sounding very similiar the moz is not the same as the miz
... just so you know, for the future, to avoid any confusion.
Shoplifters Of The World Unite
You're The One For Me, Fatty
The Youngest Was The Most Loved
I'm Throwing My Arms Around Paris
One Day Goodbye Will Be Farewell
Scandinavia
Ouija Board, Ouija Board
Black Cloud
Everyday Is Like Sunday
To Give (The Reason I Live)
You Have Killed Me
Spring-Heeled Jim
I Know It's Over
Let Me Kiss You
Maladjusted
Speedway
Meat Is Murder
I Will See You In Far Off Places
- - - -
Still Ill
and that was it, all over. walking the last time up west 56th street. past
the fortune tellers window (basically like the front room of someones
house that everyone could see walking by - I had seen a leftover plate
from some food on the way to the gig) a woman with her husband was
looking and the fortune teller asked if she wanted to have her fortune
read? she said no, she was just looking at the window (the crystal ball
was on display on a little table and everything!) ... I'll miss things like
that ... things like that don't happen in London.
now when I look at Brooklynvegan and see bands are playing Terminal
5 I do a silly little half-smile. it's like I can picture myself going along to
the gig ... I may be in the uk but in many ways my heart will always be
there. I'll always be there going to see some gig. having some adventure
in New York.
Previously
New York Morrissey Fans
the moment when it hit me.
Morrissey - Radio City Music Hall, New York - 10/10/12
Morrissey - Terminal 5, New York - 12/10/12
Labels:
morrissey
Wednesday, 5 December 2012
Morrissey - Terminal 5, New York - 12/10/12
boy was I set to hate terminal 5.
why? my first morning in new york, a horrid grey day in drizzly rain was
spent trying to find this venue (basically a black building with no name)
hence walking by it countless times. a policeman sending me in the wrong
direction (*wrongly* telling me the street numbers went higher the more
you went up - geez) phone calls to my sister in the uk to try and help me
out. basically going round in circles. hours later I found it - and was told
you couldn't collect the ticket from there. but I could from the 'Mercury
lounge (in the lower east side) because they are the same company (or
something) so I went there the next day, and was told you can't collect it
from there. I was told I could collect it the day before from the venue, so
I walked the 16 blocks to terminal 5 again on thursday - and was told by
a horribly rude girl (why do people working the doors always have to be
so rude) that you had to get it in on the night. of course I envisioned it
wouldn't be there. so I wasn't happy. I just wanted to have the ticket in
advance before the gig (no problem collecting the Radio city music hall
ticket in advance) so like I said, boy was I set to hate terminal 5.
that was until I went inside.
as you can see awkward as ever + who the hell I am looking at? dunno.
forget about my awkwardness tho - just look at the KILL UNCLE SHIRT
yes a K.I.L.L. U.N.C.L.E shirt (I snagged 2 - original 1991 - unworn, yes
*UNWORN*ones on ebay last year) ... yup it's the best. my fave t shirt.
cool Peta people inside the venue. they were very friendly. I wish I'd have
spoken to them longer. how impressive is his chest??!! - veg power!!!
the merch. some new t's since Manchester - I bought the black one top right
2nd in. yes that's a cat on morrissey's head. why? ... why not. I very nearly
bought it, but then didn't. the writing at the bottom says MY LIFE WITH
FANNY THE WONDERCAT ... I know - why the hell didn't I buy it ... and
it says USA FALL TOUR on the back ... damn - also deepely regretting not
buying the green ENGLAND IS MINE (Still Ill lyric) one.
so finally I am seeing a full Kristeen set. I only caught the last few
songs in Manchester and saw nothing at 'Radio city music hall as I
was taking photos of fans up until the last minute. I liked her as soon
as the first song got underway. so much so that I got my phone out
and filmed it (and I never ever film anything at gigs ... I only *ever*
take photos) but I had to capture WHAT was impressing me so much.
the quality isn't too great. but when I watch them I'm right back there
at the gig, so they're pretty valuable to me. how epic is the second song
(fantastic failure) I swear I became a full-blown fan of Kristeen in the
midst of this song. I really liked the 3rd song but then nothing after that
impacted me as much. but I didn't mind that, I love it when something
impacts you strongly instantly ... it doesn't matter what happens after
that, you already know everything you need to know.
again I say *how amazing* is the below ....
what I notice is that unlike the uk, no-one moves when the support act
finishes, so neither do I. there's no way I am going to lose my position.
so I stay right. there.
again I'm thanking Moz for the film that plays before he comes on ... it's
nice to have something to occupy your mind, and not just stand there
becoming an ever-increasing bundle of nerves at the prospect of what is
to come. and there is something reassuring about watching something
that you have been watching for a year, recognising all the clips as they
begin. below: this woman from one of the clips is so cool.
in the crowd I see the australian woman I had spoken to on my way
down the street to the venue (asking if she was going to the gig and
telling her my fear of the ticket not being there) she reasurred me that
it'd be there. I asked if she had came from Australia for the gig, but she
said she was living in new york ... it was nice speaking to her because it
passed a bit of time and meant I arrived at the venue in a more positive
frame of mind and not had my thoughts of ticket-doom spiralling out
of control.
she was like 'you got in!!' ... yeah I said! it was a nice moment seeing her
in there ... in the pre-gig atmosphere and my jubilant frame of mind ...
realising all my worry had amounted to nothing. I was in there and the
gig was about to start.
I love the venue. the shape of it (basically an oblong shape) just the
whole metal cage-like construction of it. the width of the stage looks so
small (like half the size of Brixton academy) and the whole place does
not look very old at all. (update: it opened as Terminal 5 in 2003 and
was renovated in 2007) ... and as I soon found out it had really great
sound, so clear and defined ... the venue I was all set to hate couldn't
have been more perfect.
cool hardcore dudes.
if there was one thing I was hoping to see at the gigs, it was some hardcore
guys. I already knew of the love that hardcore groups have for Morrissey
so I really hoped to see some people there at the gigs. then I saw the above
guys on my way in when I was taking photos of fans. I knew they were into
hardcore before I even saw the X on the hand on the guy on the left ... I
just knew (I've been to a lot of hardcore gigs) and get this, they ended up
standing right near to me, along with 2 other guys (one of whom I saw in
the crowd 2 days later at the YOUTH OF TODAY gig at Irving Plaza)
I wore a Moz shirt. no-one spoke to me.
when the curtain dropped and Morrissey and the band stood before me
I was just smiling. I know that 'Radio city had been my first Moz gig in new
york. but I was in a seat half-way back. this was the one ... the one I had
been looking forward to ... I just wanted it to happen ... be perfect ... yep
the old usual routine I go through. and here it was starting in front of me.
great position, great people around me ... I was in NEW YORK watching
Morrissey. what I had always wanted. in that precise moment my smile
couldn't have been any broader. if it was a movie it would be at the very
end, a heart-swelling climax with uplifting music, a jubilant hit of 'Rocky
type euphoria. in that moment I couldn't have been any happier.
the first song started. it's not 'Last night I dreamt that somebody loved
me' like at 'Radio city ... it's only bleedin' SHOPLIFTERS OF THE WORLD
UNITE.
floored.
what I really liked is that (with those shuddering beats) it INSTANTLY
established this feeling amongst the crowd, almost of swagger and attitude.
... but not in any egotistical way, I just loved how it set a real defiant tone
to the start of the gig ... the opening song of a gig almost dictates what is
going to happen within the mindsets of everyone. like if you were writing
the script for a movie and establishing a mood - and this choice was just
perfect. hats off to the Moz - like I said it floored me. seriously you could
have knocked me down.
what I realised instantly. this is not like at Brixton academy when as soon
as the first song starts the whole crowd just surges forward. sure people
react (arms are up and everything down the front) but overall it's a very
different atmosphere and feeling. it's like they are happy doing their own
thing, not having to over-exaggerate (or prove) anything. an example of
the much cited new york cool? I don't know, but I really like it.
just like when I was at CBGB's the last time I was in new york. I spent
a lot time thinking 'I'm in new york watching Morrissey' just marvelling
at that fact. I had a great view, the people around me were cool, couldn't
have asked for anything more. the set list is very similiar to Radio City.
'I know it's over' is out but MALADJUSTED is in ... so is FANTASTIC
BIRD (a previously unreleased track) ... not gonna lie. every time a song
started up I hoped for ART HOUNDS. that was the one I really wanted
to hear. then THE KIDS A LOOKER. it's like when you are at a gig and
everything is just so right and you know a certain song would just fit the
mood perfectly. but they wern't played. I just know if ART HOUNDS had
been played it woud have been something stupendous. I was already in
a good frame of mind. that woud have pushed me just that bit further.
english reserve would have been long gone for sure:) sure I was a bit sad
they wern't played, but I still couldn't have been happier at the gig.
what I really liked is that it wasn't about 1 song at this gig. it was about
the whole gig and the whole feeling throughout the gig. quite often you
only get a few songs at a gig where you feel a certain way. I had it for
the whole gig. feeling that way and being around people all reacting to
the songs in their own little ways, without invading the space of people
around them was a very special thing. I had always wondered what it
would be like to see a New York Morrisey gig. that's why I spent a lot
of the gig, just looking around, looking at everything, taking it and that
feeling in.
will I ever stop posting footage of LET ME KISS YOU from gigs I was at?
highly doubtful. honestly, without going all wussy, even watching a few
seconds makes me go a bit misty eyed. because I remember being there,
just getting more and more into the song and reacting to it ... and all whilst
having such great people near me throughout it. it was very very special.
and it's almost too much watching it back now.
the place goes crazy for STILL ILL. people surge forward ... there is
movement everywhere. it was such a release, coming from nowhere
and after how it had been up until then. and then it ended and the gig
was over. it was strange, having this high of jubilation and then it all
being over.
a sign to the morrisseyworlders. obviously no-one else noticed it/paid
any attention. and of course no-one caught it on film ... but I did. once
again it's MORE COLD-HARD proof ... yet it will still make *no difference*
people still won't believe.
so.very.morrissey.
again thanks to all the moz fans that spoke to me and let me take
their photo. once again, you made an english fan very happy. talking
of the NY fans, hardcore guy on the left from the above pic, was singing
along to *all* the words throughout the gig. it was a real nice thing
everytime I looked and saw it!
Shoplifters Of The World Unite
Maladjusted
You're The One For Me, Fatty
The Youngest Was The Most Loved
One Day Goodbye Will Be Farewell
Black Cloud
Ouija Board, Ouija Board
Speedway
Spring-Heeled Jim
You Have Killed Me
Fantastic Bird
People Are The Same Everywhere
I'm Throwing My Arms Around Paris
Everyday Is Like Sunday
To Give (The Reason I Live)
Let Me Kiss You
Meat Is Murder
I Will See You In Far Off Places
- - - -
Still Ill
Previously
New York Morrissey fans
the moment when it hit me.
Morrissey - Radio City Music Hall, New York - 10/10/12
Labels:
morrissey
Monday, 3 December 2012
what badges are on my (fake) leather jacket this week.
well winter is here. so it's goodbye red and black buffalo plaid as outerwear.
and welcome back (fake) leather jacket. if there's one thing I like (apart from
t shirts) it's badges. I've always loved how a badge pledges your allegiance
to a band ... something ... in a oh so subtle way. so to mark the change of
season and change of outerwear I'm going to document the badges pinned
to my jacket. I know it's not the most exciting thing haha but I'm a bit of a
geek like that!
and welcome back (fake) leather jacket. if there's one thing I like (apart from
t shirts) it's badges. I've always loved how a badge pledges your allegiance
to a band ... something ... in a oh so subtle way. so to mark the change of
season and change of outerwear I'm going to document the badges pinned
to my jacket. I know it's not the most exciting thing haha but I'm a bit of a
geek like that!
Wednesday, 21 November 2012
Morrissey - Radio City Music Hall, New York 10/10/12
'oh yeah that's what I meant to do' ... the exact thought as I made my
way down into the (basically) huge (HUGE!) auditorium of seats that
is Radio city music hall and stopped at my row. in that precise second
I remembered that I wasn't 18 rows from the stage ... I was actually
double that as the seats went rows AA-ZZ and then A-Z. I was row m.
when I booked the ticket in June I knew this and was going to try and
get a seat closer. but then as the months went by I forgot all about the
seating and by August was picturing 18 rows in front of me and thinking
'not to bad ... no need to be geting another ticket' - oblivious to what I
had thought back in June.
so I'm at radio city music hall. gotta admit I ran the last block. just wanted
to get there. to be there inside, know it was taking place. I only stopped to
get a compliment about my 'Kill Uncle t shirt off some woman on the way
to the gig with her family, saying she had that t shirt in the car and nearly
wore it. I told her about the great new songs 'art hounds/the kids a looker
and to listen out for them!
then I was there, saw the below ... bustling people everywhere ... and was
happy.
radio city music hall in lights. morrissey sold out. yellow cabs. am I dreaming?
no dude. you really are in new york to see morrissey.
I was soon inside, marvelling at the layout and design of the foyer (wow)
surrounded by Morrissey fans. I was amongst New York Morrissey fans.
the one thing I had always wanted to see. just to see american fans of this
very british singer ... to see his gigs from a different viewpoint. and after
wishing for it for so long. I was there.
was that really Jonathan, the lead singer of THE DRUMS who has just
passed me by??!! - (yes it was, I have since seen a picture of him at
the gig) ... I was pretty sure it was him (I knew he liked Morrissey)
I was more concerned with the fact that in that split second I could
not remember his name at all ... my mind just went completely blank.
hence why I didn't say anything. 'hey lead singer of the Drums' is not
really the thing to say. damn ... what a time to forget someone's name.
I really like them. I love 'I felt stupid.
rows and rows of seats in front of me. hmm.
plus side. how grand does it all look.
I was so relieved when Morrissey and the band walked out onstage.
he was there, I was there, everything was okay! - haha worry much?!
tell me this start *didn't* floor you?? - GO ON TELL ME IT DIDN'T.
the start. I was utterly shocked LAST NIGHT started the gig. I love this
video I found on youtube as it reminds me of the moment when in that
huge cavenous dark room, the opening bars of LAST NIGHT came out
of nowhere (and in the midst of that music) and just got you right there
completely off-guard. surreal and just just perfect. I loved getting this
hit of emotion as a gig opener when normally it is something upbeat
... and in these surroundings it was just so damn perfect.
so I'm on the seat next to the aisle. during the first few songs I'm straining
my neck trying to see what is happening down the front. are they letting
people go down to the front? are people hopping over the first 3 rows to
stand at the front like we did at The Palladium (from what I can see this
is definitely not happening) I decide to go and see if you can go down to
the front. you can't, there's a girl guarding the rope like her life depends
on it.
but as I arrive there I see that there is a seat at the very end of the aisle
on the left with no-one sitting in it. I mean what would you do?! so I did!
I went and stood in it! - it is a good position because I am just a few rows
away from the girl who is militantly guarding the roped off front section.
you are not getting past there without a ticket for that section. there is
going to be no storming the front of the stage. there was 1 chance for me
to get into that section, when she showed someone to their row. perfect
chance for me to sneak by and take up a seat on the aisle that was empty
and then just saunter on down to the front. exept she never had to show
anyone else to their seat so I never got another chance ... and then some
poodle haired guy came back (yeah whose seat I was in) said something
sarcastic like 'didn't want to pay for a ticket? ... I wanted to say stuff like
I'd come from the uk and just was there cause no-one else was and just
wanted to get a better view. but no words came out and I just couldn't be
bothered explaining myself and just went back (pretty embarassingly)
to my seat. well I'd had a better view for a few songs. got some photos.
and realised that it didn't really matter. people wern't really going crazy
in the front rows - so a seat's a seat regardless where it was. and anyway
by then I didn't mind. I just resided myself to enjoying it where I was.
the set list is pretty much the same as the manchester gig (but in a
different order) with a few exceptions (how soon is now is out ... oh
how I'd loved it to have stayed - and so is Please please - but look at
the new additions) 'Spring-Heeled Jim!! - never expected to hear that
one. even better was 'Shoplifters of the world unite!!! ... the moment
when that started up!!! ... have to check my gig history but pretty
sure I've not heard it before.
the mozzy one.
yes, but I'm still asking WHO IS MORRISSEYSWORLD????
funny thing when EVERYDAY IS LIKE SUNDAY started and I was like
'now you start affecting me!!!' - when I'm trapped in a seat all those rows
away. but in a way I think that worked to it's advantage. normally I'm
tightly packed in the crowd and my main concern is 'it's a bit too slow.
but now unable to react and jostle however I liked, I was left with just
being in this vast room and with this song playing out ... the elegiac feel
of this song reaching over all those rows and finding you ... affecting you.
and in these surroundings it seemed even more sadder, forelorn (and
grander) than ever.
my favourite song (like Manchester) was LET ME KISS YOU ... (oh
to have been as close as the person who filmed the below) but don't be
worrying 'bout me. I was perfectly happy where I was. entranced and
intertwined with this song. yes even doing some little hand movements
(in a 'kept under control/british reserve kind of way though!!)
STILL ILL gets the best reception of the gig - it is like the whole place
just woke up. I see people getting onto the stage (one of whom is lil moz
fan Kyle!!)
overall feeling about the gig. prestigious venue. but the crowd wern't
that wild. a combination of people venturing out to see 'ex Smiths man
Morrissey (like the woman next to me who sat back down for quite a
few songs) and people, like the cool fans I took pictures of (who would
have livened the place up no end if there had been a standing area)
scattered in seats all over the venue.
overheard on the way out: someone saying they'd hoped for more than
four 'Smiths song and someone else saying how short the gig was. well
'Smiths songs normally average 4-6 and the gig didn't strike me as being
particularly short.
for me I really liked that it wasn't about how close you were to the stage.
what the night showed me was it was just about the music reaching you.
... by the end of the gig I didn't even care that was I was all those rows
back. I will never worry now if it's a seated gig and I can't get a seat near
the front!
I left the gig very happy. I'd seen my first Morrissey gig in New York.
but now I was impatient for the terminal 5 gig ... I couldn't wait for
friday to see it all again, but to be a part of it and not stuck in a seat.
Last Night I Dreamt That Somebody Loved Me
You Have Killed Me
The Youngest Was The Most Loved
You're The One For Me, Fatty
I'm Throwing My Arms Around Paris
Shoplifters Of The World Unite
Everyday Is Like Sunday
Ouija Board, Ouija Board
Black Cloud
Spring-Heeled Jim
People Are The Same Everywhere
Meat Is Murder
To Give (The Reason I Live)
Let Me Kiss You
Speedway
I Know It's Over
One Day Goodbye Will Be Farewell
I'm OK By Myself
----
Still Ill
end notes.
again I ask where is ART HOUNDS???? (+ the kids' a looker??)
not even 'Scandinavia was played (which I like but nothing like
the above 2) after not hearing these 2 in manchester I was sure
they'd be back in the set list. I am getting a bit worried ... these
amazing new songs should be in the set list every night ... but I
guess I would have hated hearing them and been stuck in a seat.
they'll be perfect at terminal 5.
thank you to all the american fans who spoke to me and were so
friendly. you made an english fan very happy.
cool new york morrissey fans
Labels:
morrissey
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